Heather Webb’s post Anti-Heroes: Why Devious is so Delectable, and Where are all the Women? caught my attention and provided some answers. I enjoyed it and thought you might too.
–Claire Yezbak Fadden
Posted August 21, 2014
on:They’re not quite the Ten Commandments of novel writing, but they might be close.
Repeating yourself, list-loving, empty adverbs are a few of the slip-ups writers make as they attempt to unearth the fossil (as Stephen King so aptly advises) that will someday become a book.
In a recent blog post by Patricia Holt, Ten Mistakes Writers Don’t See (But Can Easily Fix When They Do) the editorial consultant outlines in a quick, nonjudgmental way missteps every writer — new or seasoned – has experienced.
I found her post useful. I suspect you might too.
–Claire Yezbak Fadden
Posted June 4, 2014
on:I’m a big fan of “House of Cards” and the devious Frank Underwood – his initials are FU, for gosh sakes. Underwood (evilly played by the multi-talented Kevin Spacey–loved him in “The Ref”) shifts from horrifying to sensitive to ruthless as seamlessly as turning your washing machine dial from heavy duty to permanent press to delicate.
Heather Webb’s post Anti-Heroes: Why Devious is so Delectable, and Where are all the Women? caught my attention and provided some answers. I enjoyed it and thought you might too.
–Claire Yezbak Fadden
Posted April 28, 2014
on:Are you doing anything May 8 through 15? This is last minute notice, but if you’re a writer, you should know the Writers’ Retreat
Workshop (WRW) has a few spots left for the upcoming annual event that will change your life. This year, it’s being held at Purple Sage Ranch, just outside of Antonio, Texas.
Here’s how it works: A fabulous professional editor, agent, or bestselling author gives a workshop. Then everyone goes back to their rooms and uses their shiny, freshly acquired new tools to write or revise their butts off. Then you share in whole and small groups to give and get feedback to revise some more. The pros also view your work to give direction to take your writing to the next level. With all this guided practice, you and your fellow WRW writers provide some of the most amazing feedback in critique groups anywhere. Another bonus is the connections you make with writers from all over the U.S. and often from other countries, such as Belgium and Australia.
And there’s partying along the way for those who wish to join in the fun.
When you rejoin the real-world after your week-long reprieve with awesome, like-minded, creative people, WRW adds you to the list serve. WRW participants since 1987, many of whom are successful, published writers, post news and personal events through the site, available to members only. Any alumni may participate in any conversation. I’ve made friends through the list serve and on Facebook that I’ve never met personally.
The 2014 instructors include: bestselling thriller author Grant Blackwood (Briggs Tanner Novels, Fargo series with Clive Cussler), Literary Agent Mary C Moore (Kimberley Cameron agency), YA and romance author Emily McKay (The Farm, The Lair), writer/editor Les Edgerton (The Bitch, Hooked), director and instructor Jason Sitzes, co-founder and author Gail Provost Stockwell.
If you’re a writer who is ready for an intense upgrade in your craft, your understanding of the publishing industry, and the how-to of marketing your work, don’t miss this chance to become the writing professional you want to be!
If nothing else, you owe it to yourself to check out this amazing writers’ experience, so here’s the link: http://writersretreatworkshop.com/events.html
Happy writing!!
Posted February 10, 2014
on:You worked hard, met your self-imposed deadline to complete your novel and crafted a nifty query letter. Now, after weeks, months, years of pitching your book to agents, you’re still unpublished.
In his recent post, “Query Letter Pet Peeves — Agents Speak,” Chuck Sambuchino shares some insight from the professionals in the field about why you never heard back.
I found the candid responses helpful, eye-opening and in some cases, surprising. As a newbie novelist, I can see myself making some of the novice mistakes. But misspelling a name is the unforgiveable error. That’s the first rule you’re taught in Journalism 101.
–Claire Yezbak Fadden
Never mistake activity for achievement. —John Wooden
It’s true. I used to confuse motion with action. As long as I was busy in the motion of writing a novel (taking classes, attending workshops, reading how-to books), I thought I was getting closer to my goal. The reality is, while I was in the motion of writing, I wasn’t truly engaged in the action of writing a novel. The possibility of producing an actual book was slim. I liken it to constantly going to the grocery store buying the ingredients for a delicious cake, but never actually baking it.
I was happy — highlighter in hand — with my nose in the latest or time-tested how to write books. I garnered every tip, idea, theory and tidbit imaginable. And I read every writer’s blog. Actually that last one may have been what saved me. Thanks to a post from James Clear, I learned the folly of my ways.
Don’t get me wrong. It is important to learn about writing. The knowledge I’ve gained through my critique partners is invaluable. But after gathering ideas from other writers, wannabe writers, editors and agents, there comes a time to put all that learning to the test – or in my case – to the page.
I talked a lot about how hard it is to write fiction. Anyone who would listen, heard my lament. It is a much tougher task than writing a magazine article, where the challenge is to uncover the facts and put them into a readable prose.
One my critique partners, Sharon C. Cooper, called me out on my penchant for hovering around the idea of writing a novel . “You’ve taken more classes than any other writer I know,” she lovingly said. “Girl, you need to start writing.” Those words hit home. I got the message. I needed to stop preparing to write and start spending my time getting words on the page.
Bum glue, butt-in-the-chair, chained-to-the-computer. It all amounts to the same thing. A writer writes. So get writing.
–Claire Yezbak Fadden
Posted July 17, 2013
on:Every writer struggles with how to deepen their characters; how to make them come alive on the page so the reader connects with the story’s protagonist.
Editor Jean Jenkins recently posted a link to the Writer Unboxed blog highlighting “6 Ways to Make Sure Your Reader’s Brain Syncs With Your Protagonist’s Brain.” Jenkins cited it as “One of the best posts lately on deepening your characters I’ve ever come across.”
Blogger Lisa Cron shares some interesting and worthwhile thoughts on how to dig deeper into your characters to show the reader what really makes your hero tick. Her post is worth reading. Be sure to take notes. I did.
–Claire Yezbak Fadden
Posted June 19, 2012
on:Ayn Rand’s “Atlas Shrugged” may have been the last time agents and book editors were excited about reaction words that don’t characterize and move the plot forward.
Shallow words like smiling, shrugging, grinning, nodding and laughing can make many agents and editors cringe. Sadly, I employ these “empty” words as placeholders in my prose, but they fail to give insight, depth or motivation to my characters.
Rewrite consultant Jean Jenkins advises her clients to give an internal reaction, a thought to interpret the mood of the character for the reader. “Have your characters do active things that show their feelings during a scene,” suggests Jenkins. “Or, couple these words with an action so the scene doesn’t feel choreographed, like a stage direction.”
What empty words are you working to eliminate from your writing? Let me know so I can add them to my list.
Here are some examples of wonderful word pictures from books I’ve recently read:
WORRY –“Mrs. Maguire dropped the silver polish. She fished a handkerchief out of her sleeve. She blew he nose mightily on it and said, “Dear Lord, don’t let a hair of head come to harm.” — Elizabeth George, “In The Presence of the Enemy.”
FEAR– “I crouched and kept my head low. I tried to swallow whatever was rising from my stomach, which tasted like lemonade, something fruity and sour.”– Tim O’Brien, “The Things They Carried”
LOVE –“She smiled at me, that sunrise of a smile that colored her whole face and seemed to enliven her whole body.” Robert B. Parker, “Mortal Stakes”
INSIGHT–”When Roark had gone, Wynand sat behind his desk, smiling. He moved his hand toward one of the plastic buttons–and stopped. He realized that he had to assume a different manner, his usual manner, that he could not speak as he had spoken in the last half-hour. Then he understood what had been strange about the interview: for the first time in his life he had spoken to a man without feeling the reluctance, the sense of pressure, the need of disguise he had always experienced when he spoke to people; there had been no strain and no need of strain; as if he had spoken to himself.” Ayn Rand, “The Fountainhead”
–Claire Yezbak Fadden
Posted March 6, 2012
on:A creative mind may be the most important tool for a writer, but nimble fingers run a close second. Fingers that dance across a keyboard, keeping up with the author’s thoughts as she develops characters, describes settings and fine-tunes dialogue.
But fingers, hands and wrists are just like any other part of your body. They have to be cared for, pampered and maintained. As cold winter mornings approached, I was reminded of these facts when I sat down to let the writing flow and my fingers decided they weren’t ready to join in.
Joints were stiff, and my fingers felt prickly. My brain was warmed up but my hands were not. I asked my yoga instructor, Linda, about this dilemma. She said it all about blood flow and shared a few hand exercises, to get the blood moving again in my fingers, hands and wrists. One of my favorites is placing my hand in namaste (prayer) pose, spreading my fingers wide, and then pushing the fingers away from each other. (see photo).
If your fingers are fighting back, craving a bit more circulation, check out these three yoga videos (links below) that offer great yoga exercises you can do sitting at your desk, sitting at a red light or on the couch while you’re waiting for the next great idea to appear.
Something as simple as opening and closing your hands slowly can get the joints lubricated. Don’t forget to occasionally, wrap your arms around yourself and give your self a hug. It’s a great way to stretch your back and shoulders after hovering over a keyboard.
Namaste.
Three youtube videos to get you started.
Yoga for Arthritis: The Hands & Wrists–KimMcNeilYoga (7 1/2 minutes)
Bridget Briant (4-1/2 minutes)
–Claire Yezbak Fadden
Posted September 13, 2011
on:If you’re like me, you’re looking for words of advice–any kernel of wisdom to help you transform 250 pages of prose into a published novel.
Writing a book is a long journey and the trek isn’t for the weak of heart. E.L. Doctorow likened it to “driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.” I see it more as trudging through the darkness with only a flashlight to illuminate the way — and your batteries are low.
Along our writing path, we stop and talk to other writers. Ask their opinion, question their methods and delve into what system works for them. We read the pages of published authors, hoping to uncover a secret or two. We’re learning, bit-by-bit, how to persevere. Not to give up the quest. And maybe, hopefully, some day be published.
During my journey, I’ve uncovered a few nuggets — manna for my writing soul . . . some more useful than others:
“Read. Read. Read.”
“Minimize the back story. Less is more.”
“Use active verbs.”
“Limit exclamation points!!!!”
“Put your butt in the chair.”
“Show, don’t tell.”
“Make sure you back-up your work on an external drive.”
“Get real familiar with story structure: Set-up, Response, Attack, Resolution”
“Up the stakes for your protagonist.”
“Stick to one POV.”
“You need more POVs.”
Obviously, I add to this list regularly.
This week, my shout-out for “the best writing advice I’ve ever received” goes to Anne Lamott. Her book, “Bird by Bird” is jam-packed with worthwhile, real-world information, advice and guidance she has shared with her students. For nearly two decades, writers have eagerly dipped their spoons into this book and scooped tasty tidbits of enlightenment designed to keep them at the keyboard. Among Lamott’s most famous advice is permission to write that “shitty first draft.”
The gem I’ve mined from her book is: “…sit down at approximately the same time every day. This is how you train your unconscious to kick in for you creatively.”
I’ve put her concept into practice and within a few weeks, my writing has improved, not just in quantity, but in quality. Amazing how showing up for work actually works. Thanks Anne.
What’s the best writing advice you’ve ever received .. at least up to this week?
–Claire Yezbak Fadden